Night
encourage
pursue
organ
older
Europe
Geneva
determined
College
opera
second
secretly
French
study
Europe
Adam
1847
closed
composed
house
contacts
made
Paris
money
travel
physician
17
1848
blanche
against
only
Boiledieu
harmonium
composition
Opéra
Boieldieu
pianist
music
freshness
quarreling
1856
singing
borrowed
amusement
England
collaborated
Scribe
architecture
paradoxes
following
permitted
Rome
composer
prominent
1821
footsteps
vaudeville
Revolution
Sue
poignant
Conservatoire
preferred
study
National
reduction
career
born
living
20
professor
day
parts
eight
improvise
journalism
promised
theatre
director
Hérold
timpani
seriously
composer
studied
opera
remembered
wonderful
Paris
dunce
Englishness
money
fourth
Cleobury
Dramatique
teacher
orchestra
chorus
truanted
daughter
win
songs
Paris
Conservatoire
debts
score
massive
debts
Christmas
1758
organ
elegance
piano
Adolphe
____________________
was
____________________
in
____________________
,
to
Jean
-
Louis
Adam
(
____________________
?
1848
)
,
who
was
a
____________________
Alsatian
____________________
,
as
well
a
____________________
at
the
Paris
____________________
.
His
mother
was
the
____________________
of
a
____________________
.
As
a
child
,
Adolphe
Adam
____________________
to
____________________
music
on
his
own
rather
than
____________________
music
____________________
and
occasionally
____________________
with
writer
Eugène
____________________
who
was
also
something
of
a
____________________
in
early
years
.
Jean
-
Louis
Adam
was
a
____________________
and
____________________
but
was
firmly
set
____________________
the
idea
of
his
son
____________________
in
his
____________________
.
Adam
was
____________________
,
however
,
and
____________________
and
____________________
____________________
under
the
tutelage
of
his
____________________
friend
Ferdinand
____________________
,
a
popular
____________________
of
the
____________________
.
When
Adam
was
____________________
,
his
father
relented
,
and
he
was
____________________
to
____________________
at
the
____________________
Conservatoire
?
but
only
after
he
____________________
that
he
would
learn
music
____________________
as
an
____________________
,
not
as
a
____________________
.
He
entered
the
Paris
Conservatoire
in
____________________
,
where
he
studied
____________________
and
____________________
under
the
celebrated
____________________
composer
François
-
Adrien
____________________
.
Adam
also
played
the
____________________
in
the
____________________
of
the
Conservatoire
;
however
,
he
did
not
____________________
the
Prix
de
____________________
and
his
father
did
not
____________________
him
to
____________________
a
music
career
,
as
he
won
____________________
prize
.
By
age
____________________
,
he
was
writing
____________________
for
Paris
____________________
houses
and
playing
in
the
orchestra
at
the
Gymnasie
____________________
,
where
he
later
became
____________________
master
.
Like
many
other
French
composers
,
he
made
a
____________________
largely
by
playing
the
____________________
.
In
1825
,
he
helped
____________________
prepare
____________________
for
his
____________________
La
dame
____________________
and
made
a
____________________
____________________
of
the
____________________
.
Adam
was
able
to
____________________
through
____________________
with
the
____________________
he
____________________
,
and
he
met
Eugène
____________________
,
with
whom
he
later
____________________
,
in
____________________
.
By
1830
,
he
had
completed
twenty
-
____________________
works
for
the
____________________
.
After
____________________
with
the
____________________
of
the
____________________
,
Adam
invested
his
____________________
and
____________________
heavily
to
open
a
____________________
opera
____________________
in
____________________
:
the
Théâtre
____________________
(
Opéra
-
National
)
.
It
opened
in
____________________
,
but
____________________
because
of
the
____________________
of
____________________
,
leaving
Adam
with
____________________
____________________
.
His
efforts
to
extricate
himself
from
these
____________________
included
a
brief
turn
to
____________________
.
From
1849
to
his
death
in
____________________
he
taught
____________________
at
the
Paris
____________________
.
O
Holy
____________________
remains
his
best
-
____________________
piece
,
and
its
performance
by
Stephen
____________________
and
King's
____________________
gives
us
a
wonderful
taste
of
____________________
.
Just
as
there
is
something
____________________
about
the
____________________
-
joy
and
____________________
,
perhaps
-
the
same
____________________
is
there
in
the
____________________
,
in
spite
of
this
being
____________________
.
But
East
England
has
a
long
history
of
____________________
with
____________________
,
and
____________________
____________________
expresses
the
____________________
of
England
in
a
____________________
and
____________________
way
.