black
sand
appreciation
shadow
morning
again
cool
ochre
canvas
psychological
formulas
clear
meaning
impressionist
paintbox
synonymous
photo
paint
clear
ear'
sketch
unravel
rules
notation
pool
time
pleasures
sea
forms
fall
mackintosh
depths
bare
painter
literal
calligraphic
circumspect
pathway
lake
lake
subject
Moore
air
Nicholson
tie
tune
right
arm
just
freely
bathing
deep
no
silences
Hitchens
tune
stream
eye
scene
message
outsider
essential
companions
clarity
expressionist
destroy
perspectives
Warnford
banked
subject
intricacies
structure
depth
Hepworth
fall
winter
place
fluctuations
lake
canvas
waterweed
light
tree
absorbed
artists
sensuously
type
label
jacket
light
race
design
pinkish
artist
wind
Nature
note
trout
paint
reactions
purplish
A
1931
____________________
of
a
summer
____________________
party
in
Norfolk
shows
____________________
alongside
some
of
the
most
promising
____________________
of
the
____________________
:
Henry
____________________
,
Barbara
____________________
and
Ben
____________________
.
Whereas
his
____________________
are
seen
stripped
partly
____________________
in
pursuit
of
____________________
of
sun
and
____________________
,
Hitchens
himself
appears
a
____________________
____________________
,
attired
in
____________________
,
jumper
and
____________________
,
carrying
a
____________________
over
his
____________________
.
He
resisted
being
stereotyped
as
any
particular
____________________
of
____________________
?
an
____________________
,
or
,
latterly
,
some
kind
of
abstract
____________________
?
saying
?
No
____________________
should
____________________
himself
.
That
is
for
others
to
do
?
A
painter
should
have
____________________
____________________
or
____________________
.
?
Setting
up
his
____________________
and
____________________
in
the
open
____________________
,
he
sought
?
first
to
____________________
the
____________________
____________________
of
my
____________________
,
which
is
____________________
with
its
____________________
,
and
to
understand
my
own
____________________
____________________
to
it
?
.
He
would
then
usually
____________________
a
quick
____________________
,
followed
by
?
a
careful
,
well
-
knit
____________________
?
,
which
he
would
then
____________________
,
only
to
start
all
over
____________________
on
the
____________________
,
?
painting
____________________
,
regardless
of
the
____________________
proportions
of
____________________
?
.
He
wrote
elsewhere
,
?
I
should
like
things
to
____________________
into
____________________
with
so
____________________
a
____________________
that
the
spectator's
____________________
and
?
aesthetic
____________________
shall
receive
a
____________________
____________________
,
a
clear
____________________
.
?
It
is
the
quite
____________________
clarity
of
his
application
of
____________________
?
a
broad
swathe
of
____________________
____________________
,
say
,
to
evoke
a
stretch
of
____________________
in
the
early
____________________
,
or
a
succession
of
broad
brushstrokes
(
____________________
,
russet
and
____________________
)
describing
the
____________________
,
recessive
____________________
of
a
woodland
____________________
in
____________________
?
that
delivers
in
his
paintings
____________________
the
____________________
____________________
,
?
a
clear
____________________
?
.
The
spectator
of
Hitchens'
landscapes
feels
____________________
in
a
____________________
intuitive
____________________
of
____________________
,
its
enigmatic
____________________
and
____________________
,
its
thrilling
____________________
of
____________________
,
tone
and
____________________
,
its
swimming
____________________
.
Hitchens'
best
paintings
conjure
up
with
acute
____________________
the
richly
layered
____________________
of
a
particular
____________________
.
For
example
,
in
a
series
of
eight
paintings
of
____________________
Water
,
a
____________________
-
fringed
____________________
,
he
aimed
to
evoke
,
in
different
ways
,
?
four
entities
,
forming
the
whole
____________________
?
.
These
main
themes
were
the
____________________
itself
(
?
swept
by
____________________
ripples
and
glaring
____________________
?
)
;
a
?
swift
-
flowing
water
____________________
tumbling
in
a
small
____________________
?
over
a
bank
;
?
the
____________________
,
cool
,
clear
____________________
____________________
below
?
;
and
?
leading
out
from
this
pool
,
the
winding
____________________
,
____________________
-
____________________
,
strung
with
____________________
?
.