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a movement in French painting, developed in the 1870s chiefly by Monet, Renoir, Pissarro, and Sisley, having the aim of objectively recording experience by a system of fleeting impressions, esp of natural light effects
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the marks left by painting something with a paintbrush (plural)
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portrait of the artist by himself
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the period of European history marking the decline of the Middle Ages and the rise of the modern world: usually considered as beginning in Italy in the 14th century
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the theory or art of suggesting three dimensions on a two-dimensional surface, in order to recreate the appearance and spatial relationships that objects or a scene in recession present to the eye
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a painting or drawing of inanimate objects, such as fruit, flowers, etc
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a painting, drawing, photograph, etc, depicting natural scenery
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denoting art characterized by geometric, or otherwise nonrepresentational qualities
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a painting, drawing, sculpture, photograph of an individual, especially of the face
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a work of art made using paint
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(adj) of extreme force, strength, degree, or amount
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an artist who paints pictures
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a French school of painting, collage, relief, and sculpture initiated in 1907 by Pablo Picasso and Georges Braque, which amalgamated viewpoints of natural forms into a multifaceted surface of geometrical shapes
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a movement in modern art that imitates the methods, styles, and themes of popular culture and mass media, such as comic strips, advertising, and science fiction
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a piece of cloth or a similar material on which a painting is done, usually in oils