Warhol Factory
Thomas Cole
Manifest Destiny
Robert Henri
Folk Art and Outsider Art
Outsider Art
Op Art
Hudson River School
Folk Art
Andy Warhol
Art Brut
Ashcan School of Art
Optical Illusion
American art movement that focused on the everyday and urban life of New York City Utilized a dark palette, expressive & visible brushstrokes with thick application of paint
Inclusive of art made by individuals who have not been formally trained as artists "Naïve Style" Characteristics include a wide range of mediums and materials, simplified style and unconventionality
individual who is considered the leader of the Ashcan School
individual recognized as the founder of the Hudson River School
a manipulation of colors, shapes, and patterns to create the illusion of movement, vibrations, or hidden images.
French term coined by Jean Dubuffet meaning "raw art" or "rough art" - the beginning to outsider art
artist who set up "The Factory" and created an influential work space for future artists (large space with a variety of creative minds together)
art that is utilitarian and decorative, typically with strong ties to culture and community these artists tend to have some form of informal training
Studio where Andy Warhol worked during the 1960s Housed other artists Art produced was inspired by pop culture & personal expressions Inspired future artists to work in a large space with a variety of people
19th century ideology in America that promoted the expansion and settlement of open land; reinforced by the landscape paintings of the Hudson River School
1st native school of landscape painting in the U.S. Landscape painters that worked around the Hudson River and surrounding areas Consisted of picturesque, detailed and idealized landscapes of nature Coincided with Manifest Destiny
originates from psychiatric hospital patients but has become more broad to include art separate from mainstream society these artists are self taught
Also known as optical art, is a style of visual art that makes use of optical illusions Popularized in the mid 1960s Movement introduced by artists who had wanted to further explore optical effects and visual perception
