1
In an extended metaphor, the author takes a single metaphor and employs it at length, using various subjects, images, ideas and situations.
2
figure of speech in which the poet describes an abstraction, a thing, or a nonhuman form as if it were a person.
3
Point of view (POV) is what the character or narrator telling the story can see (his or her perspective)
4
A connotation is a feeling or idea that a word has, in addition to its literal or main meaning (the denotation).
5
In other words, denotation is a word’s “dictionary definition” rather than its associated emotion or definition.
6
A monologue is a speech given by a single character in a story.
7
A comparison between two unlike things, this describes one thing as if it were something else. Does not use "like" or "as" for the comparison (see simile).
8
In writing, the speaker is the voice that speaks behind the scene. In fact, it is the narrative voice that speaks of a writer’s feelings or situation
9
Elements of a poem that invoke any of the five senses to create a set of mental images.
10
A dramatic character, distinguished from the poet, who is the speaker of a poem.
11
The vocabulary, phrasing, and grammatical usage deemed appropriate to verse as well as the deviations allowable for effect within it
12
A direct comparison between two dissimilar things; uses "like" or "as" to state the terms of the comparison.
13
Literally a “little song,” the sonnet traditionally reflects upon a single sentiment, with a clarification or “turn” of thought in its concluding lines.
14
the central idea, topic, or point of a story, essay, or narrative is its theme.
15
The beat and movement of language (rise and fall, repetition and variation, change of pitch, mix of syllables, melody of words).
16
The rhythmical pattern of stressed and unstressed syllables in verse
17
A Japanese verse form most often composed, in English versions, of three unrhymed lines of five, seven, and five syllables.
18
referred to as the atmosphere of a literary piece, as it creates an emotional setting that surrounds the readers.
19
The poet’s attitude toward the poem’s speaker, reader, and subject matter, as interpreted by the reader.
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