Paris Jazz: Challenge 1

Froggy Jumps

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Paris Jazz: Challenge 1

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Kedge

United States

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#	Player	Accuracy	time
1	elizabeth March 18, 2026	% 100	01:28
2	carter March 18, 2026	% 100	01:38
3	ashton March 18, 2026	% 94	01:16
4	mary russell March 18, 2026	% 94	01:37
5	cash March 18, 2026	% 89	01:53
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8	Alston March 18, 2026	% 44	01:24
9	rylan March 18, 2026	% 39	01:16
10	Kedge March 20, 2026	% 0	00:39

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Paris Jazz: Challenge 1


Froggy Jumps Paris Jazz: Challenge 1Online version Paris Jazz: Challenge 1 by Kedge 1 I was American-born and later became a major icon in Paris. a Josephine Baker b Django Reinhardt c Boris Vian 2 I became one of the most visible symbols of the shift in opportunities for Black performers in Paris. a Josephine Baker b Django Reinhardt c Boris Vian 3 I was an icon of 1920s Paris with glamorous costumes, large crowds, and a larger-than-life public image. a Josephine Baker b Django Reinhardt c Boris Vian 4 I found more visibility and opportunity in Paris than I could access at home because of Jim Crow. a Josephine Baker b Django Reinhardt c Boris Vian 5 My stage work blended dance, music, comedy, and theatrical presence. a Josephine Baker b Django Reinhardt c Boris Vian 6 During World War II, I supported the French Resistance and Free French efforts by becoming a spy. a Josephine Baker b Django Reinhardt c Boris Vian 7 I used my celebrity, travel, access, and social connections to assist anti-Nazi work a Josephine Baker b Django Reinhardt c Boris Vian 8 I was born in Belgium. a Josephine Baker b Django Reinhardt c Boris Vian 9 I was a Romani guitarist. a Josephine Baker b Django Reinhardt c Boris Vian 10 I became one of the defining voices of European jazz guitar. a Josephine Baker b Django Reinhardt c Boris Vian 11 I grew up in a Romani travelers community that moved through parts of Europe, including France. a Josephine Baker b Django Reinhardt c Boris Vian 12 A fire badly injured my left hand, limiting the use of some fingers. a Josephine Baker b Django Reinhardt c Boris Vian 13 After an injury, I rebuilt my technique and developed a highly personal guitar style. a Josephine Baker b Django Reinhardt c Boris Vian 14 My composition “Nuages” became one of the pieces most associated with wartime Paris. a Josephine Baker b Django Reinhardt c Boris Vian 15 I was a French writer, trumpet player, critic, and translator. a Josephine Baker b Django Reinhardt c Boris Vian 16 I moved in artistic circles tied to clubs, cafés, and the intellectual life of Saint-Germain-des-Prés. a Josephine Baker b Django Reinhardt c Boris Vian 17 I helped to build a bridge between American jazz artists and French audiences. a Josephine Baker b Django Reinhardt c Boris Vian 18 I helped shape the way people in France understood JAZZ as serious modern art, not only dance music. a Josephine Baker b Django Reinhardt c Boris Vian

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Paris Jazz: Challenge 1

Froggy Jumps

About this activity

Created by

Download the paper version to play

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Paris Jazz: Challenge 1Online version

by Kedge

I was American-born and later became a major icon in Paris.

I became one of the most visible symbols of the shift in opportunities for Black performers in Paris.

I was an icon of 1920s Paris with glamorous costumes, large crowds, and a larger-than-life public image.

I found more visibility and opportunity in Paris than I could access at home because of Jim Crow.

My stage work blended dance, music, comedy, and theatrical presence.

During World War II, I supported the French Resistance and Free French efforts by becoming a spy.

I used my celebrity, travel, access, and social connections to assist anti-Nazi work

I was born in Belgium.

I was a Romani guitarist.

I became one of the defining voices of European jazz guitar.

I grew up in a Romani travelers community that moved through parts of Europe, including France.

A fire badly injured my left hand, limiting the use of some fingers.

After an injury, I rebuilt my technique and developed a highly personal guitar style.

My composition “Nuages” became one of the pieces most associated with wartime Paris.

I was a French writer, trumpet player, critic, and translator.

I moved in artistic circles tied to clubs, cafés, and the intellectual life of Saint-Germain-des-Prés.

I helped to build a bridge between American jazz artists and French audiences.

I helped shape the way people in France understood JAZZ as serious modern art, not only dance music.