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Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov

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Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov

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Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov

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V scola
V scola
Mexico

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Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov
 

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Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov

by V scola
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1

Vertov was one of the first filmmakers to experiment with frame-rates, manipulating the number of times per second that his camera captured the action in order to distort the speed of certain clips when the film passed through a projector at its usual 24 frames per second.

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2

This technique is called...

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3

When Vertov exposes the same strip of film to two different images to overlay them

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4

When the final frames of one image are briefly laid over the introductory frames of the next. It is the oldest form of film transition

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5

By moving the inanimate object very slightly between each frame, Vertov created the illusion that the camera had developed a mind of its own and came to life before the audience’s eyes.

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6

Vertov uses this technique, in a way that is still adopted today, to focus on different actions or spaces at the same time.

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