Cinematic techniques in Man with a Movie Camera (1929), Dziga VertovOnline version Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov by V scola 1 Vertov was one of the first filmmakers to experiment with frame-rates, manipulating the number of times per second that his camera captured the action in order to distort the speed of certain clips when the film passed through a projector at its usual 24 frames per second. Selecciona una o varias respuestas a slow motion b the dissolve c stop motion d split screen e double exposure f fast motion - freeze frame 2 This technique is called... Selecciona una o varias respuestas a split screen b flashback c freeze frame d slow motion e stop motion f the dissolve - freeze frame 3 When Vertov exposes the same strip of film to two different images to overlay them Selecciona una o varias respuestas a Double exposure b split screen c fade-in d freeze frame e stop motion f the dissolve - freeze frame 4 When the final frames of one image are briefly laid over the introductory frames of the next. It is the oldest form of film transition Selecciona una o varias respuestas a fast-forward b the dissolve c double exposure d fade-out e match cut f the dissolve - freeze frame 5 By moving the inanimate object very slightly between each frame, Vertov created the illusion that the camera had developed a mind of its own and came to life before the audience’s eyes. Selecciona una o varias respuestas a travelling shot b stop trick c slow motion d stop motion e none f the dissolve - freeze frame 6 Vertov uses this technique, in a way that is still adopted today, to focus on different actions or spaces at the same time. Selecciona una o varias respuestas a the dissolve b double exposure c aerial shot d rhytmic cut e split screen f slow motion - freeze frame
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