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A to Z: Film Theory & Pascal's Wager

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A to Z: Film Theory & Pascal's Wager

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Guess a word for each letter from film theory and Pascal's ideas.

Created by

grayce teague
grayce teague
United States

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A to Z: Film Theory & Pascal's Wager
 

A to Z: Film Theory & Pascal's WagerOnline version

Guess a word for each letter from film theory and Pascal's ideas.

by grayce teague
A
B
C
D
E
F
G
H
I
J
K
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

Starts with A

Inference that an organizing intelligence guides a film's meaning, inferred from the work itself.

Starts with B

Rational choice under uncertainty about existence of the divine and its outcomes.

Starts with C

Not a person, but the film’s system of camera, editing, and sound that shapes POV.

Starts with D

Early sequence in a film showing humanity’s emergence to signal non-linear storytelling.

Starts with E

Thought experiment about living the same life repeatedly for eternity.

Starts with F

A single still image that contributes to mood and rhythm over plot.

Starts with G

Visual focus through which the viewer experiences characters and events.

Starts with H

Artificial intelligence figure whose cognitive failure drives the film’s narrative.

Starts with I

Hypothetical guide responsible for presenting the narrative style to the viewer.

Starts with J

Placement of contrasting elements to highlight themes within the film.

Starts with K

Director regarded as an auteur, with distinctive, recurring cinematic signatures.

Starts with M

Emphasis on sparse dialogue and image-driven meaning over explicit exposition.

Starts with N

Philosopher whose idea about life’s affirmation appears in filmic exploration of value.

Starts with O

Ethical-creative ideal who creates values and lives beyond conventional morality.

Starts with P

Decision model favoring belief due to potentially infinite reward if true.

Starts with Q

Dilemma about whether belief should be chosen for practical reasons.

Starts with R

Approach that minimizes causal clarity and resolution in favor of mood and form.

Starts with S

Critic who framed three premises for identifying a director as auteur.

Starts with T

Overall mood established through lighting, sound, and editing choices.

Starts with U

Speaker whose credibility is compromised by memory, deception, or instability.

Starts with V

Emotional atmosphere created to guide viewer interpretation rather than direct plot.

Starts with W

Film example exploring perception and humanity through separate viewpoints.

Starts with X

An approach to viewing that emphasizes open, hospitable encounters with others on screen.

Starts with Y

Perspective in cinema that questions established norms and values.

Starts with Z

Note-driven method of organizing ideas about films and theory for analysis.

 
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